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Growing up macklemore genius lyrics3/11/2023 What did you think about it when you first heard it? The track was done, it just had gaps where the chorus would go. She had Ryan send me the track at about 2 pm, and I had about three hours. She called me out of the blue and asked, “Do you wanna do a song with Macklemore?” I said sure. Hollis and I did spoken word poetry together. He knew my mentor, Hollis Wong-Wear, who suggested they listen to me. How did Macklemore choose you to do this song? It’s a genuine dream come true, all based on the pure genius of one great refrain. ![]() It’s a beautiful songwriting story – a story which points the power of song – both to propel this young visionary artist, but also to give hope and meaning to all those struggling with the same issues. We had the great pleasure of talking to Lambert over the phone from Seattle, where she sounded absolutely stunned by this whirlwind success which has transformed her life so profoundly. Though Macklemore created the frame with his brave rap, it was Mary who crystallized it so heartbreakingly with her words and tune: “ I can’t change, even if I wanted to. She took the most momentous step of her life and filled those gaps with a refrain that is direct, inspirational and beautifully haunting. Everything else was in place, and her job was simply to come up with the hook – the key to the whole song. ![]() Though they had never met her, Macklemore & Ryan Lewis sent her the track all finished except for one part – the chorus. She would go to the church every Sunday and cry, and apologize to God for being a sinner. Raised in the church, she grew up aware that she was gay, and feeling sorrowful over her inability to change. But those in the songwriting community know that one of the secrets of their triumph was a Seattle-songwriter named Mary Lambert.Īnd though Lambert had to share the spotlight with Madonna that night - and some 33 couples being married right there by Queen Latifah - it was the beauty of her message which shone through, and has led the world to love this song, “Same Love,” with it’s inspirational “I can’t change” chorus.īefore Macklemore & Ryan Lewis invited her to contribute a chorus to their gay rights song, she was working three jobs to get by, and doing small gigs when she could get them. "It's a bummer if young white kids aren't forced to step outside their comfort zone," Rosenberg says.The indie rap duo Macklemore & Ryan Lewis took home four Grammy Awards in 2014, including the one for Best New Artist. The rap he grew up on taught the world about certain aspects of the black experience. to learn about a different culture," says the 34-year-old Caucasian. real recognizes real."īut then, who's defining what's real? Hot 97's Rosenberg worries that the trend of young white kids listening to other whites robs them of exposure to other people's experiences and world views. "Haters please refrain/look at all these fans. "White rapper with a cheesy name/thinkin' he might find easy fame," he raps. In G-Eazy's song "The Outsider," he both acknowledges the suspicions that can still surround white rappers while at the same time asserting his worth. G-Eazy has followed that pattern closely.Įven so, there remains a self-consciousness on the part of some white rappers, who remain sensitive to the form's African-American roots as well as to its continuing importance to that community. That's how Macklemore built an indie empire. White rappers also could use websites like YouTube to avoid established hip-hop powerbrokers. ![]() They created their own community online." "But they could go online anonymously in chat rooms and be taken seriously. "In person, (a white kid's) views on hip hop might have been shouted down," she says. His song is 20 years - and many light years - from the pitched politics of songs like "911 Is a Joke" from Public Enemy's classic rap album "Fear of a Black Planet." There was enough support for Roth's 2009 song "I Love College" to go platinum. And, it turns out, a lot of people feel the same way I do." "I finally got to a point where I had the confidence to. Roth admitted that he listened to hip hop for 10 years while "not relating to it at all." Typical is Asher Roth: a fresh-faced, suburban rapper from Pennsylvania who nonetheless has been given XXL's stamp of approval as a worthy new star. ![]() That fundamental change gave white artists an in. "It has become focused on mainstream hits. "Street music is not as big a factor in hip hop," says Vanessa Satten, editor-in-chief of rap's top mag, XXL. G-Eazy, above at Irving Plaza in March, just put out the CD 'These Things Happen.' (Taylor Hill/Getty Images)
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